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Get out of your comfort zone

The other day, en route to a wine tasting, I was walking up Grafton Street. The sun was shining the buskers were out in force. Halfway up the street a couple of girls were knocking out old Beatles’ hits. They were pretty damn woeful. Both played guitars and, between them, could just about scrape up the obligatory four chords. They sang, if that’s the word, in screechy unison. Yet the crowd gathered around them didn’t seem to mind, singing along and willingly chucking coins into the hat.

Further up the street stood two young flamenco guitarists. They played bravura duets, striking sparks off each other, fluent on their instruments. Yet they played to an audience of an old man, his dog and one of those silver-statue mime artists.

I hurried on. The tasting was an exposition of the wines of Rueda, a Spanish Denomination of Origin that makes exquisite white wines. Located in the northern province of Castilla y Leon, Rueda was only granted D.O. status in 1980 after centuries of experience with the native grape, verdejo (you can pronounce it, approximately ‘vair-deck-o’). Years ago, Rueda wines were rich and heavily oaked, sometimes aged to the point of oxidation. Tastes change, however and modern winemaking techniques now ensure that Rueda’s wines are crisp, fruity and aromatic. Wine writers often liken verdejo to sauvignon blanc but I think that’s a tad simplistic; I don’t find any of the aggression or the overwhelming gooseberry grab on the palate. I always get more of a tropical vibe, star fruit and lychees, held in check by lively but not harsh balancing acidity.

Whatever the flavour profile, Rueda’s wines are perfect partners to fish, particularly the like of hake, mullet and John Dory; also shellfish. They work well with asparagus, now in season, something not many wines do. And they are especially good as a quaffer in the garden or as an aperitif.

Of course, we like what we know. Having suffered chardonnay overload we are now clinging to sauvignon blanc, although pinot grigio (thanks to Sex and The City?) is winking at us. Few, though, have ventured as far as vermentino, albarino, pinot blanc, chenin blanc, semillon, all of which can make excellent white wine. As does the aforesaid verdejo.

Unfortunately, like the ’singalongas’ on Grafton Street we are stuck in our comfort zone. So I’m encouraging you to break out, give sauvignon a week off and try a verdejo. Most wine merchants and supermarkets will stock one. Go on, you can do it. You could set a trend. One day soon, mark my words, this region and this grape will be sooo sexy.

There were no bad wines in the tasting and most were excellent. Many exhibitors were seeking Irish representation. Of those already here, Wines Direct (1850 579579) bring in Jose Parientes, while Approach Trade, who have done sterling work in introducing us to Spanish regionals have the vibrant Mantel Blanco. Around €14 from Curious Wines, Bandon; Mortons, Firhouse; 64 Wines; The Kingdom, Tralee; World Wide Wines, Waterford and others. O’Brien’s also have a cracker for around €10.

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Beyond the call of duty

English and (spot the) Irish wine scribes on tour in Priorat, Montsant, Terra Alta, Conca de Barbera and Tarragona eagerly await wine No 247 in a Series

priorat-jun-2009-094

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Bloody back labels!

The label on the front of the bottle Sibella and I are halfway through tells me it’s a 2007 Merlot from Patagonia, Argentina, with a strength of 14% alcohol by volume. I’m also informed that the wine is a ‘Reserve’ – a term, I’m afraid, that’s virtually meaningless. In certain regions of Europe the term ‘reserve’, ‘reserva’ or ‘riserva’ does indicate that the wine has been subjected to mandatory treatment, with regard to oak-ageing, grape selection or to the length of time held before release. Alas in many parts of the world the ‘Reserve’ tag is utterly imprecise or indeterminate. It could be that the grapes are specially selected. It could refer to a period spent in oak casks. Or it could mean bugger-all except it’s a great marketing ploy.

Turn the bottle around and things get worse. The back label of a wine bottle is all to frequently just a licence to exude persiflage and bullshit. There are 5 sectors on this particular back label. First off, the wine ‘contains sulphites’. Fine so far, but then we move on to talk ‘Style’. Leaving aside absurdities like “almost meaty vanilla-like aroma” I read “black cherries, damsons, raisins with a bitter-sweet after-taste of plain chocolate.” Hey, what if the reader doesn’t like raisins? Or doesn’t do bitter-sweet? Worse, if he buys the wine and doesn’t find these sensations doesn’t it kill credibility? I’ve warned before about taking this gush on board; never forget, one person’s “honeysuckle on a summer’s evening” is another’s ”three-year old Nike trainers”.

Then I learn the wine is “best appreciated at room temperature”. Shame they never tell you what ‘room temperature’ means. The ambient of a centrally-heated, ecologically-insulated, shag-pile carpeted, low-ceilinged living room is not what any winemaker would call ‘room temperature’. This is so misleading. If they mean “serve at 16-18 C” why don’t they just say so?

“Guests will be surprised by its provenance” reminds me of James Thurber’s It’s a naive domestic Burgundy without any breeding, but I think you’ll be amused by its presumption. What the marketing guys are telling you in this instance is ‘Your guests are gonna say “Argentina? You’re kidding? I’d have sworn it was Cheval Blanc.”’ And, of course, I believe them. Not.

Finally, I learn that “careful oak aged (sic) gives the wine added depth of flavour”. As I’ve said before, there’s ‘oak’ and ‘oak’. Are we talking barrels? Staves? Oak chips? Sacks filled with sawdust? Liquid extract? Give us a clue.

Is there a Society for The Abolition of Back Labels? If there was, I’d join today. Divorced from all the blather, Canale Estate Reserve Merlot 2007 (€12.39, Marks & Spencer) is rather good well-made wine. Solid, impactful, rich, flavoursome and exempt from that gloopy soup mouthfeel of your average New World merlot, it came to the rescue last night after yet another bottle of very expensive Aussie Shiraz proved to be corked, third time in two weeks.* No wonder they believe in Stelvin down under.

* The three, all top dollar gear, were from vintages 1998/1999/2000 - a bad period for cork?

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